📺 "PAGAMANIA!" JOUÉE EN DIRECT PAR THÉO OULD SUR... C8 ! 11/11/2023
"Pagamania!" jouée en direct par le brillantissime Théo Ould sur... C8 dans l'émission "L'essentiel chez Labro" 11/11/2023
https://www.canalplus.com/actualites/l-essentiel-chez-labro/h/23361751_50013
https://www.canalplus.com/actualites/l-essentiel-chez-labro/h/23361751_50013
"Pour ThĂ©o Ould, 25 ans, l’accordĂ©on est un coffre Ă jouer. Il ne sort pas de son instrument tel ou tel puzzle musical en vue d’une activitĂ© ludique, c’est l’accordĂ©on lui-mĂŞme qui est objet de fantaisie. Par exemple, dans la Laterna Magica de RĂ©gis Campo oĂą les notes (rĂ©pĂ©titives) et les bruits (frottis de boutons, grattage de grille mĂ©tallique) sont rĂ©gis par une mĂ©canique de folie. Les autres pages de ce rĂ©cital Ă la Franz Liszt (virtuositĂ© et Ă©clectisme) n’emportent pas toutes l’adhĂ©sion. Si Jean-Philippe Rameau, Enrique Granados et Piotr Ilitch TchaĂŻkovski bĂ©nĂ©ficient d’une relecture personnalisĂ©e, Jean-SĂ©bastien Bach ne sĂ©duit qu’Ă moitiĂ© (Toccata ciselĂ©e mais Chaconne empâtĂ©e). Il en va de mĂŞme pour les crĂ©ations de Tomas Gubitsch, très musicales mais trop influencĂ©es par Astor Piazzolla. Finalement, seul RĂ©gis Campo (avec Pagamania ! et Ad Astra) apparaĂ®t ici comme le compagnon de jeu idĂ©al de ThĂ©o Ould. "
Pierre Gervasoni - Le Monde 10/11/2023
https://www.lemonde.fr/culture/article/2023/11/10/selection-albums-theo-ould-francis-poulenc-pierre-blanchard-stacey-kent-lol-tolhurst-x-budgie-x-jacknife-lee-togo-all-stars_6199368_3246.html
Pierre Gervasoni - Le Monde 10/11/2023
https://www.lemonde.fr/culture/article/2023/11/10/selection-albums-theo-ould-francis-poulenc-pierre-blanchard-stacey-kent-lol-tolhurst-x-budgie-x-jacknife-lee-togo-all-stars_6199368_3246.html
At just twenty-five years old, ThĂ©o Ould sees musical expression as a total art form, and explores all the possibilities of his instrument, the accordion, which he champions with great pride: ‘When I entered the Conservatoire and held the instrument in my hands, I was fascinated by the sound as much as the object itself, halfway between a typewriter and an extra-terrestrial contraption: a “playing machine” in every sense of the word. . . . I also discovered what its sound was like and what you could do with it. I learnt what stops that sound from expanding and how to use my whole body as a soundbox.’
The programme of Laterna Magica blends the Baroque music of Bach and Rameau with melancholy melodies by Granados and Tchaikovsky, before moving on to the contemporary repertory with Campo and Gubitsch (including three new pieces for accordion and electronics). For this recording, ThĂ©o is joined by two guests, cellist Lisa Strauss (for the finale of Shostakovich’s Sonata for cello and piano) and violinist Luka Faulisi (for the finale of Mozart’s Sonata for violin and keyboard in E minor, K304)
RĂ©gis Campo in 'Pagamania !' |
✅ En tĂ©lĂ©chargement! 06/10/2023
https://oh.lnk.to/LaternaMagica
✅ Programme du CD et prĂ©sentation :
https://outhere-music.com/fr/albums/laterna-magica?fbclid=IwAR1S6s58PwcXEWbs2lSYmVrOlNs2UsN4iM7cvs1f4oHCzfWKz_SBvn5_tlU_aem_AVTIHe1PtEstoxgs1rIH4kuxTFIbAO4NV_UWPHZ2V4GR7miPXR4OgTLGAkhCTwXJSIM
https://oh.lnk.to/LaternaMagica
✅ Programme du CD et prĂ©sentation :
https://outhere-music.com/fr/albums/laterna-magica?fbclid=IwAR1S6s58PwcXEWbs2lSYmVrOlNs2UsN4iM7cvs1f4oHCzfWKz_SBvn5_tlU_aem_AVTIHe1PtEstoxgs1rIH4kuxTFIbAO4NV_UWPHZ2V4GR7miPXR4OgTLGAkhCTwXJSIM
RĂ©gis Campo in 'Pagamania !' |
Commentaires
Enregistrer un commentaire