Dancefloor with Pulsing for theremin & orchestra by RĂ©gis Campo
with over 922,000 views & 27,000 Likes & 245 comments :
"So much energy ! When contemporary music makes you dancing !"
"It's sounds cool but doesn't fit with the piece, sounds like classical music with random EDM chops"
"Making kik drum live is insane ❤️❤️❤️❤️đ„"
"When the theremin becomes an air guitar."
"that’s pretty hot đ"
"Amazing, brilliant, bombastic đđđđ"
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| RĂ©gis Campo, La Coupole, Institut de France 26 novembre 2025 |
Two weeks to go until our concert with the DSO Berlin!
OCTOBER 24, 2025
Haus des Rundfunks BERLIN
Conducted by DanĂel Bjarnason
As part of Sven Helbig’s Schöne Töne Live, the program features music by Bjarnason, Eyck, Brahms, and Abul Mogard (electronics).
So excited for this one! ✨
@dsoberlin
@svenhelbig
@daniel.bjarnason
@abulmogard
@radioeins
@regiscampo
#DancefloorWithPulsing #DSOBerlin #SchöneTöneLive #NewMusic #RegisCampo
đŹ 2018 w/ Brussels Philharmonic & Brad Lubman at Ars Musica Festivalđ¶❤️đž In September 4 concerts with Carolina Eyck in Europe for Dancefloor With Pulsing for theremin & orchestra in France (Besançon), Switzerland (two dates) and more in October Germany (Berlin Deutsches Symphonie-Orchester Berlin
Haus des Rundfunks!❤️)
#theremin
#carolinaeyck
#dancefloor
#editionshenrylemoine
Quelques notes de Dancefloor With Pulsing pour thérémine et orchestre au Festival international de musique Besançon Franche-Comté 2025 !
Carolina Eyck, thérémine
Orchestre Symphonique Bienne Soleure TOBS!
Yannis Pouspourikas, direction
09/2025
#carolinaeyck #regiscampo #bienne #dancefloor #theremine #theremin #orchestra #YannisPouspourikas #pulse #fun #frenchcomposer #henrylemoine #editionshenrylemoine LISTEN & ENJOY !
"Un envoûtant concerto pour thérémine"
#regiscampo #carolinaeyck #bradlubman #theremin #orchestra #brusselsphilharmonicorchestra #editionshenrylemoine #dancefloor #pulsing #worldpremiere #youtube #frenchmusic #contemporarymusic #concerto #alien #mars #techno #playful
Some funny & great comments :
« Fantastic piece and incredible performance from the soloist and orchestra, the world always need more theremin music. » @JamesPDaley-mh7xc
« Wonderful!! Hybrid of classical and experimental music, beautifully composed, almost a Phillip Glass vibe to it! Watched absolutely spellbound! » @artgreig7069
« This is beyond mesmerising. I should've known better than to think I could put on your performance as music to clean to!!! đ » @robl.234
« HihetetlenĂŒl jĂł » (« C'est incroyablement bon ») @hildapinter3122
« uma delisia. » @sofiamonserrat8832
« It’s like Petrushka and Turangalila had a baby. Very cool piece. »
@Scott-me1vb
« Absolutamente maravillosa obra. Esto es el Ă©xtasis del Rock&Rollo » @JoaquinTaboada
« This is INCREDIBLE! I'm obsessed. Wow!» @marik-c7794
« Simplesmente fantĂĄstico.»
« Mind blowingly original and good.» kineticg
« It's love music for Star Trek Nerds!!! Very Spock friendly!!»
« Um grande marco contemporĂŁneo da mĂșsica. FantĂĄstico!!!!!» @marcellodantedealmeidanune9445
« The battle really starts at 4:44 Jokes aside, this was truly amazing and I love seeing the violinists smiling and just having a good time throughout the performance. You’re such a gem! » Eiri Noir
« Mind bendingly beautiful đ Watching The faces behind you... Amazing Thank you ✨đ✨đđ» » @HEART2HEART-3
« Thats pure Sorcery! » Black Summer
« Unbelievable! Brava! Now I have to buy the score. It must have been exhausting. » pacchiarotti1
Some funny & great comments :
« Great composer - Great music - Dance of flowers for all, children, young people, adults! Well done to soloist Carolina! With his magnificent instrument. This piece is a marvel and gives incredible visibility for the theremin! » Amine Soufari
« Everyone wondering what get sheet music is looking like đ️đđ️ » Clement Clement
« J'ai Ă©coutĂ© cette piĂšce 20 fois, merci Amine Soufari pour la dĂ©couverte du compositeur RĂ©gis Campo qui met en avant cet instrument fĂ©erique. » luno anas
« THIS WAS AMAZING » Treemolo
« Spellbound » Michael Druck
« The updated scene of Mickey and the sorcerer » Primrose Shyla Werner-Scalf
Some funny & great comments :
« Really cool, but all the other musicians deserved more acclaim at the end for all their work, all each and everyone equally deserved thanks » Brad
« What a beautiful piece and performance. Your arms look like a coreography itself. The faces of the instrumentist behind you are of happiness! » Papeles y sonidos
« This is very dangerous. The weirdest music played together with the
weirdest instrument can open a four-dimensional black hole and start an infinite paradoxical effect called the vortex of abiss » Al Capone
« Amazing, I feel like watching past and future in a blink of the eye... mordor eye. » Patrica Vogs
« I really like how the rest of the orchestra are moving like machines it’s like bringing electronic music back into a human expression » Joe chai or
« This one should be called "Chaos of the Cosmos » Joseph Caesar PadrĂłn
Some funny & great comments :
« Geez... What a ride! Am I the only weirdo that shed tears đ when this piece wrapped. đ€© That was #beautiful! » Rockys Playhouse
« Absolutely incredible performance, has a really electronic theme. first time I’ve seen an orchestra almost playing like a sample sequencer » joe chai or
« It's time for Disney to make another Fantasia » Nitty Gritty
« This is a truly cosmic performance, yet it still gives you that red-hot earthly suspense. this composer is a genius! » demonicaboss
« Could not stop imagining how wonderful melodies we can produce with our body vibrations and earth's đ¶đ¶ » ÎÏÎłÏ
ÏÏ ÎαÏΞαÎčÎżÏ
« Magic battle between the magician-conductor and the theremin sorceress » Vassili Dario
« i come here when i need inspiration. Once again, thank you Carolina and RĂ©gis » Isaac Vasco
Some funny & great comments :
« In one section, I heard the landing of a Star Wars ship. Neet stuff. »
Alan Marston
« All of your work is outstanding, bravo! Please come and play in MontrĂ©al! OSM (MSO) and Regis Campo's work would be a dream… » Michel Rochon
« Somebody please hire this composer to write sci-fi soundtrack »
AnastasiaSilvi
« I have no words for this masterpiece.
I just love it » Carlos Daniel De Los Santos Montoya
Some funny & great comments :
« This is so fascinating! There are so many influences that make this piece of music the way it is. The slightly unnerving elements of the soundtrack of a classic thriller movie, the loops as well as the deliberate cacophony of techno, sounds of scratching, all kept together in a performance by a large orchestra with a performance by Caroline on the theremine that is absolutely on point. The impressive impact of the sounds in the final part reminded me of what Jeff Mills did with the Montpellier Philharmonic Orchestra. Superb! » viveladecadence
« ******ABSOLUTELY LOVE THIS! DREAMY!! They should have had a 19 minute "dream sequence" in they poppy fields of Wizard of Oz with this Performance as guidance instrumentally...instruMENTALly!!!****** » Fiddlekrazy Steve
« it sounds magical and spooky » Chromosone
« A very physical piece both in terms of body and spirit… » st1gzee
« Spock, which planet it is ? » Jean-Luc Picard
© Ă©ditions Henry Lemoine SHEET MUSIC AVAILABLE
THE FRENCH COMPOSER RĂGIS CAMPO RECEIVE THE PRESTIGIOUS FRENCH AWARD "GRAND PRIX DE LA MUSIQUE CLASSIQUE CONTEMPORAINE" (CAREER) PRIX SACEM 2020
⬇️ĂST ('LOVE' IN ICELANDIC!) A POP SONG DEDICATED TO BJĂRK ❤️ FROM THE ALBUM POP 'LE BLEU DU CIEL' (2020)⬇️
Music by RĂ©gis Campo
Ensemble TM+ conducted by Laurent Cuniot
album Street-Art label Signature - Radio France
Music : Street-Art composed by RĂ©gis Campo Ensemble TM+ conducted by Laurent Cuniot from album Street-Art - label Signature - Radio France
The French composer Régis Campo during a rehearsal of his opera Quai ouest - Opéra national du Rhin, September 2014, Strasbourg
Oeuvre #6 sur Ă©coute : "Street-Art" de RĂ©gis Campo
Comment ne pas entendre le thĂ©rĂ©mine comme la manifestation d’une voix surnaturelle ? Le timbre de cet instrument, inventĂ© en 1920 par LĂ©on ThĂ©rĂ©mine et dont on joue sans le toucher, semble en effet s’abstraire de la rĂ©alitĂ©. Tirant parti de ce stĂ©rĂ©otype, RĂ©gis Campo assimile le soliste de Dancefloor With Pulsing Ă un vaisseau spatial en visite sur la Terre-orchestre. Mais il ne le limite pas Ă des sons Ă©thĂ©rĂ©s (il sollicite Ă©galement le registre grave), ni aux glissandos envoĂ»tants, caractĂ©ristiques de cet instrument. Car le vaisseau renferme une piste de danse aussi large que son ambitus et participe au dĂ©ploiement d’une Ă©nergie hypervitaminĂ©e, constante de la premiĂšre Ă la derniĂšre page. Fortement pulsĂ©e, la musique de ce concerto en une seule coulĂ©e se dĂ©hanche sur l’asymĂ©trie d’une mesure essentiellement Ă onze temps : elle combine ainsi la rĂ©gularitĂ© pĂ©riodique (la durĂ©e de la mesure) avec l’instabilitĂ© provoquĂ©e par le nombre impair de temps.
Ici, le thĂ©rĂ©mine ressemble moins Ă une voix humaine qu’aux machines des musiques Ă©lectroniques : « trĂšs dur et sale (son de musique techno) », lit-on d’ailleurs sur l’entrĂ©e du soliste, ce qui n’Ă©tonnera pas de la part d’un compositeur admirateur de Björk et de Daft Punk. En dĂ©pit de leur antagonisme acoustique, les instruments de l’orchestre et le thĂ©rĂ©mine trouvent un terrain d’entente. Ă la fin du concerto, les violons jouent en glissando (le « langage » du soliste), tandis que le thĂ©rĂ©mine participe aux martĂšlements d’un quasi-tutti. L’orchestre s’envole-t-il vers d’autres galaxies ? Ou le vaisseau atterrit-il pour ne plus repartir ? Libre Ă chacun d’imaginer la fin de l’histoire.
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