🌐🎙 RADIO PODCAST : PAGAMANIA! ON FRÉQUENCE PROTESTANTE 13/04/2025

🎙 Ahead of the release of her new album Esprit Folk, violinist Fanny Stefanelli joins Marc Portehaut on Fréquence Protestante.
🔗 Podcast: https://frequenceprotestante.com/events/esprit-folk-fanny-stefanelli-violoniste/
🎻 She offers a behind-the-scenes look at this intimate and bold project, where traditional influences meet interpretative freedom.
A rare moment — to be heard as a prelude to an album that already promises a luminous and deeply emotional journey.


Théo Ould plays 'Pagamania !' composed by Régis Campo
At just twenty-five years old, Théo Ould sees musical expression as a total art form, and explores all the possibilities of his instrument, the accordion, which he champions with great pride: ‘When I entered the Conservatoire and held the instrument in my hands, I was fascinated by the sound as much as the object itself, halfway between a typewriter and an extra-terrestrial contraption: a “playing machine” in every sense of the word... I also discovered what its sound was like and what you could do with it. I learnt what stops that sound from expanding and how to use my whole body as a soundbox.’ 

Régis Campo in 'Pagamania !'
Théo Ould in 'Pagamania !'
The programme of Laterna Magica blends the Baroque music of Bach and Rameau with melancholy melodies by Granados and Tchaikovsky, before moving on to the contemporary repertory with Campo and Gubitsch (including three new pieces for accordion and electronics). For this recording, Théo is joined by two guests, cellist Lisa Strauss (for the finale of Shostakovich’s Sonata for cello and piano) and violinist Luka Faulisi (for the finale of Mozart’s Sonata for violin and keyboard in E minor, K304)
Régis Campo in 'Pagamania !'
Après une nomination remarquée aux dernières Victoires classiques, l'accordéoniste Théo Ould fait paraître, à 25 ans seulement, "Laterna Magica", un premier album solo qui nous fait voyager à travers les siècles et les styles musicaux, de Rameau à Régis Campo en passant par Mozart et Tchaïkovski.
Régis Campo in 'Pagamania !'







 

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